Julius La Rosa Informations

Julius La Rosa (January 2, 1930 – May 12, 2016) was an Italian-American traditional popular music singer, who worked in both radio and television beginning in the 1950s.

La Rosa was born in Brooklyn, New York, where he attended P.S. 123K in Bushwick. At age 17, he joined the United States Navy after finishing high school, becoming a radioman. He sang in a Navy choir, at the officers' club, and at bars to pay for his drinks.

The young sailor's Navy buddies managed to promote him to Arthur Godfrey - at the time one of America's leading radio and television personalities, and himself a Naval Reserve officer, whom the Navy often accommodated as a nod to the good publicity he gave the service. George "Bud" Andrews, from Omaha, Nebraska, a seaman mechanic on Godfrey's airplane struck up a conversation with Godfrey and told him that he really should hear his buddy sing. They arranged a time for La Rosa to audition in Pensacola, Florida, where La Rosa was stationed. Godfrey was impressed, offering La Rosa a job. Godfrey had La Rosa flown to New York to appear on his television show, with Godfrey ending the spot by saying, "When Julie gets out of the Navy he'll come back to see us."

Discharged from the Navy on a Friday, La Rosa went to Godfrey on the following Monday, and a week later, in November 1951, he appeared on Godfrey's variety show. He was a regular on both the morning Arthur Godfrey Time (broadcast on both the CBS radio and television networks) and the Wednesday night variety show Arthur Godfrey and His Friends.

La Rosa was joining a show that was extremely profitable for the new CBS television network. CBS's owner William S. Paley disliked much of the show, in which a Time magazine article found Godfrey to be vulgar and "scatological". Hearing that William Paley thought the Godfrey TV show "lacked movement," Godfrey brought on a line of hula dancers and leered into the TV camera: 'Is that enough movement for you, Bill?'" But CBS management supported the show, which was extremely successful and inexpensive to produce.

La Rosa was on Godfrey's shows from November 19, 1951 to October 19, 1953. When Godfrey's bandleader Archie Bleyer formed Cadence Records in 1952, the first performer signed was La Rosa. Cadence's first single, which was also La Rosa's first recording, was "Anywhere I Wander". It reached the top 30 on the charts, and his next recording, "My Lady Loves to Dance", was a moderate success. Between his popular records and his appearances on Godfrey's shows, La Rosa's popularity grew exponentially. At one point, La Rosa's fan mail eclipsed Godfrey's. A year after La Rosa was hired, he was receiving 7,000 fan letters a week.

Arthur Godfrey's management style was a curious combination of paternal affection and dictatorial direction. Years of speaking his mind, on and off the air, had conditioned him to do exactly as he pleased. He regarded his employees as a family (the cast members were known as "the Little Godfreys") and he took an interest in them personally, but he was the boss and his word was law. Godfrey had discouraged La Rosa from hiring a manager or booking agent; Godfrey preferred to handle these matters internally, with his staff coordinating and negotiating on the artists' behalf.

One of Godfrey's mandates was for all cast members to attend dance classes, to make them appear more graceful on camera. La Rosa did not comply, claiming a family emergency. Shortly thereafter, La Rosa hired a personal agent and manager, Tommy Rockwell.

Godfrey did not react well to receiving a formal notification that La Rosa had hired Rockwell. After consulting with CBS president Frank Stanton, Godfrey went before the TV cameras for Arthur Godfrey Time on the morning of October 19, 1953. After the televised portion of the program went off the air, the broadcast continued on the radio network. La Rosa sang "Manhattan"—and Godfrey fired him on the air, announcing that La Rosa had become "his own star" and "that was Julie's swan song with us." La Rosa did not return to the microphone.

La Rosa tearfully met with Godfrey after the broadcast and thanked him for giving him his "break." La Rosa was then met at Godfrey's offices by his lawyer, his manager Tommy Rockwell, and some reporters. Rockwell was highly critical of Godfrey's behavior, angrily citing La Rosa's public humiliation.

Godfrey subsequently explained that La Rosa had been fired because he lacked "humility." This comment backfired badly on Godfrey. Stanton regretted the on-air dismissal, later admitting, "Maybe it was a mistake." Comedians began working the phrase "no humility" into their routines. Singer Ruth Wallis, known for her raunchy double entendre novelty songs, recorded "Dear Mr. Godfrey", a biting satire on the matter, which made it to #25 on the Billboard charts in November 1953.

Days after firing La Rosa, Godfrey also fired bandleader Archie Bleyer, owner of La Rosa's label Cadence Records, for producing spoken-word records for Cadence featuring Chicago-based talk host Don McNeill. Godfrey considered this an act of treason. Don McNeill's Breakfast Club aired on ABC Radio opposite Godfrey's morning show, although McNeill's success was nowhere on a par with that of Godfrey.

The firing did not hurt La Rosa's career in the short run. Ed Sullivan immediately signed La Rosa for appearances on his CBS Toast of the Town TV variety show, which sparked a feud between Sullivan and Godfrey. La Rosa's first appearance on Toast of the Town following the firing (November 1, 1953) got a 47.9 Trendex rating; La Rosa would appear 12 more times on Sullivan's show that year.

Shortly after he left Godfrey, La Rosa's third recording, "Eh, Cumpari", hit #1 on the Cash Box chart and #2 on the Billboard chart, with La Rosa getting an award as the best new male vocalist of 1953. "Eh, Cumpari" was followed by another major hit, "Domani". For thirteen weeks during the summer of 1955, La Rosa had a three-times-a-week television series on CBS, The Julius La Rosa Show, featuring Russ Case and his Orchestra. The Julius La Rosa Show aired in an hour-long format in the summers of 1956 and 1957 at 8 p.m. Eastern on Saturdays on NBC as a seasonal replacement for The Perry Como Show (Como previously had La Rosa, on occasion, fill in for him during the 1954-'55 season of his CBS series).

In 1981, Peter Kelley, who handled Godfrey's commercial bookings, suggested the host reunite with cast members from his morning show and record a reunion album. Though Godfrey initially balked, recalling his disputes with La Rosa and other cast members, he agreed to a meeting, and was amenable to having La Rosa participate. La Rosa, feeling sufficient time had passed, was also amenable. At the meeting, held at Godfrey's Manhattan office, Godfrey brought up the firing and asked La Rosa why he didn't tell the "truth" as Godfrey saw it: that La Rosa had asked to be released from his contract and Godfrey had obliged. When La Rosa started to respond by reminding him of the dance-class dispute, Godfrey exploded in anger. La Rosa left, and any talk of a reunion show ended. La Rosa tired of revisiting the Godfrey affair, in part because it had been rehashed so many times, but he was also known to acknowledge Godfrey as the one individual who made his career. Nevertheless, La Rosa always added, "He wasn't a very nice man [to me]."

La Rosa appeared in a range of television shows, including The Honeymooners in 1953, What's My Line?, The Pat Boone Chevy Showroom, The Polly Bergen Show (two episodes, including the 1957 premiere), The Merv Griffin Show and Laverne and Shirley in 1980. He starred in the 1958 film Let's Rock. In 1977, he hosted an unsold game show pilot for NBC, Noot's Game.

In 1970, the singer/actor became a very successful and amiable disc jockey at one of America's biggest radio stations in the top market, Metromedia's WNEW-AM 1130 in New York City. He hosted the 1:00-4:00 p.m. time slot at least through 1976, following William B. Williams' show which would eventually again become the Make-Believe Ballroom. During his first tenure at WNEW the station was more of an adult contemporary format rather than the traditional standards La Rosa was known for. He also sang some songs that were hits on the station. Those included: "Fire and Rain," from the "Words" album (Metromedia label) in 1971, "What'll I Do," and "Save Me a Song" (RCA Victor label)." He also recorded "We Need a Little Christmas" (1966), played during the holiday season on "the Big W." La Rosa would return to WNEW in the 1980s, doing various air shifts after the station returned to standards and big bands.

In the 1980s, La Rosa received a non-contract, recurring role in the NBC soap opera Another World, playing the character Reynoldo, for which he was nominated for a Best Supporting Actor in the Daytime Emmy Award.

In 1998 and 1999, La Rosa was a disc jockey on 1430 WNSW based in Newark, New Jersey, hosting "Make Believe Ballroom Time". La Rosa, profiled by jazz critic and composer Gene Lees, continued to work clubs and release records until the early 2000s.New York Times film critic Stephen Holden said "His singing is very direct and unpretentious - he can wrap his voice tenaciously around a melody line and bring out the best in it."

La Rosa was a frequent contributor to comedian Jerry Lewis' annual Labor Day telethon programs for the Muscular Dystrophy Association, often hosting the New York outpost of the shows.

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