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Sly Stone (born Sylvester Stewart, March 15, 1943) is an American musician, songwriter, and record producer who is most famous for his role as frontman for Sly and the Family Stone, a band that played a critical role in the development of soul, funk, rock, and psychedelia in the 1960s and 1970s.

Raised in California, Stone mastered several instruments at an early age and performed gospel music as a child with siblings (and future bandmates) Freddie and Rose. In the mid-1960s, he worked as both a record producer for Autumn Records and a disc jockey for San Francisco radio station KSOL, In 1966, Stone formed Sly and the Family Stone, among the first racially integrated, male and female acts in popular music. The group would score hits such as "Dance to the Music" (1968), "Everyday People" (1968), and "Thank You (Falettinme Be Mice Elf Agin)" (1969), and acclaimed albums such as Stand! (1969) and There's a Riot Goin' On (1971).

By the mid-1970s, Stone's drug problems and erratic behavior effectively ended the group, leaving him to record several unsuccessful solo albums. In 1993, he was inducted into the Rock and Roll Hall of Fame as a member of the group.


The Stewart family was a deeply religious middle-class household from Denton, Texas. Born March 15, 1943, before the family had moved from Denton, Texas to Vallejo, California, in the North Bay of the San Francisco Bay Area, Sylvester was the second of the family's five children.

As part of the doctrines of the Church of God in Christ (COGIC), to which the Stewart family belonged, the parents – K.C and Alpha Stewart – encouraged musical expression in the household. Sylvester and his brother Freddie along with their sisters Rose and Vaetta formed "The Stewart Four" as children, performing gospel music in the Church of God in Christ and even recording a single local release 78 rpm single, "On the Battlefield" b/w "Walking in Jesus' Name", in 1952. The eldest sister, Loretta, was the only Stewart child not to pursue a musical career. All of the other Stewart children would later adopt the surname "Stone" and become members of Sly and the Family Stone.

Sylvester was identified as a musical prodigy. By the time he was seven, Sylvester had already become proficient on the keyboards, and by the age of eleven, he had mastered the guitar, bass, and drums as well. While still in high school, Sylvester had settled primarily on the guitar and joined a number of high school bands. One of these was the Viscaynes, a doo-wop group in which Sylvester and his friend Frank Arellano—who was Filipino—were the only non-white members. The fact that the group was integrated made the Viscaynes "hip" in the eyes of their audiences, and would later inspire Sylvester's idea of the multicultural Family Stone. The Viscaynes released a few local singles, including "Yellow Moon" and "Stop What You Are"; during the same period, Sylvester also recorded a few solo singles under the name Danny Stewart. With his brother, Fred, he formed several short-lived groups, like the Stewart Bros.

The nickname Sly was a common one for Sylvester throughout his years in grade school. Early on, a classmate misspelled his name "Slyvester," and ever since, the nickname followed him.

In the mid-1960s, Stone worked as a disc jockey for San Francisco, California, soul radio station KSOL, where he included white performers such as The Beatles and The Rolling Stones in his playlists. During the same period, he worked as a staff record producer for Autumn Records, producing for San Francisco-area bands such as The Beau Brummels, The Mojo Men, Bobby Freeman, and Grace Slick's first band, The Great Society.

Stone was influential in guiding KSOL-AM into soul music and started calling the station K-SOUL. The second was a popular soul music station (sans the K-SOUL moniker), at 107.7 FM (now known as KSAN). The current KSOL has a different format and is unrelated to the previous two stations. While still providing "music for your mind, body, and your soul" on KSOL, Sly Stone played keyboard for dozens of major performers including Dionne Warwick, Righteous Brothers, Ronettes, Bobby Freeman, George and Teddy, Freddy Cannon, Marvin Gaye, Dick and Dee Dee, Jan and Dean, Gene Chandler, MANY more, and at least one of the three Twist Party concerts by then chart topper Chubby Checker held at the Cow Palace in San Francisco in 1962 and 1963. The concerts were put together by "Big Daddy" Tom Donohue and Bobby Mitchell from the then infamous KYA 1260 AM radio station and largely choreographed by Jerry Marcellino and Mel Larson who went on to produce many Motown artists including Michael Jackson, Diana Ross, and some of the top artists of the day.

Adopting the stage name "Sly Stone," he then formed "The Stoners" in 1966 which included Cynthia Robinson on trumpet. With her he started his next band, Sly and the Family Stone. Stone, Robinson, and Fred Stewart were joined by Larry Graham, Greg Errico, and Jerry Martini, all of whom had studied music and worked in numerous amateur groups. Working around the Bay Area in 1967, this multiracial band made a strong impression. On the first recordings Little Sister's Vet Stone, Mary McCreary, and Elva Mouton did backup vocals. In 1968 sister Rosie Stone (piano and vocals) joined the band.

Along with James Brown and Parliament-Funkadelic, Sly and the Family Stone were pioneers of late 1960s and early '70s funk. Their fusion of RandB rhythms, infectious melodies, and psychedelia created a new pop/soul/rock hybrid the impact of which has proven lasting and widespread. Motown producer Norman Whitfield, for example, patterned the label's forays into harder-driving, socially relevant material (such as The Temptations' "Runaway Child" and "Ball of Confusion") based on their sound. The pioneering precedent of Stone's racial, sexual, and stylistic mix, had a major influence in the 1980s on artists such as Prince and Rick James. Legions of artists from the 1990s forward – including Public Enemy, Fatboy Slim, Beck, Beastie Boys and LL Cool J's popular "Mama Said Knock You Out" along with many others – mined Stone's seminal back catalog for hook-laden samples.

"The most talented musician I know is Sly Stone," Bootsy Collins said in an interview with Mojo. "He's more talented than anybody I ever have seen – he's amazing. I worked with him in Detroit from 1981 to '83, and to see him just fooling around, playing, jamming, is a whole other trip. He's the most amazing musician."

After a mildly received debut album, A Whole New Thing (1967), Sly and The Family Stone had their first hit single with "Dance to the Music", which was later included on an album of the same name (1968). Although their third album, Life (also 1968), also suffered from low sales, their fourth album, Stand! (1969), became a runaway success, selling over three million copies and spawning a number one hit single, "Everyday People". By the summer of 1969, Sly and The Family Stone were one of the biggest names in music, releasing two more top five singles, "Hot Fun in the Summertime" and "Thank You (Falettinme Be Mice Elf Agin)" / "Everybody Is a Star", before the end of the year, and appearing at Woodstock.

After the group began touring following the success of Dance to the Music, The Family Stone drew praise for their explosive live show, which attracted black and white fans in equal measure. When Bob Marley first played in the U.S. in 1973 with his band The Wailers, he opened on tour for Sly and The Family Stone.

With the band's newfound fame and success came numerous problems. Relationships within the band were deteriorating; there was friction in particular between the Stone brothers and Larry Graham.Epic requested more marketable output. The Black Panther Party demanded that Stone make his music more militant and more reflective of the black power movement, replace Greg Errico and Jerry Martini with black instrumentalists, and replace manager David Kapralik.

After moving to the Los Angeles area in fall 1969, Stone and his bandmates became heavy users of illegal drugs, primarily cocaine and PCP. As the members became increasingly focused on drug use and partying (Stone carried a violin case filled with illegal drugs wherever he went), recording slowed significantly. Between summer 1969 and fall 1971, the band released only one single, "Thank You (Falettinme Be Mice Elf Agin)"/"Everybody Is a Star", released in December 1969. The former song was one of the first recordings to employ the heavy, funky beats that would be featured in the funk music of the following decade. It showcased bass player Larry Graham's innovative percussive playing technique of bass "slapping". Graham later said that he developed this technique in an earlier band in order to compensate for that band's lack of a drummer.

"Thank You" reached the top of the Billboard Hot 100 in February 1970. The single also peaked at No. 5 on the RandB chart and remained there for five weeks, while also remaining at No. 1 on the Pop chart for two weeks in the spring of 1970, before selling over a million copies.

Having relocated to Los Angeles with his then girlfriend Deborah King, later Deborah Santana (wife of Carlos Santana from 1973 until filing for divorce in 2007), Stone's behavior became increasingly erratic. Epic was anticipating new material in 1970, but with none forthcoming, finally released Greatest Hits that November. One year later, the band's fifth album, There's a Riot Goin' On, was released. Riot featured a much darker sound as most tracks were recorded with overdubbing as opposed to the Family Stone all playing at the same time as they had done previously. Stone played most of the parts himself and performed more of the lead vocals than usual. This was the first major label album to feature a drum machine.

The band's cohesion slowly began to erode, and its sales and popularity began to decline as well. Errico withdrew from the group in 1971 and was eventually replaced with Andy Newmark. Larry Graham and Stone were no longer on friendly terms, and Graham was fired in early 1972 and replaced with Rustee Allen. The band's later releases, Fresh (1973) and Small Talk (1974), featured even less of the band and more of Stone.

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