Warren William Zevon (/ˈziːvɒn/; January 24, 1947 – September 7, 2003) was an American rock singer-songwriter and musician.
Zevon's most famous compositions include "Werewolves of London", "Lawyers, Guns and Money", and "Roland the Headless Thompson Gunner", all of which are featured on his third album, Excitable Boy (1978), whose title track is also well-known. He also wrote major hits that were recorded by other artists, including "Poor Poor Pitiful Me", "Accidentally Like a Martyr", "Mohammed's Radio", "Carmelita", and "Hasten Down the Wind". Along with his own work, he recorded or performed occasional covers, including Allen Toussaint's "A Certain Girl", Bob Dylan's "Knockin' on Heaven's Door", Leonard Cohen's "First We Take Manhattan", Steve Winwood's "Back in the High Life Again", and Prince's "Raspberry Beret".
Initially successful as a band leader, Zevon struggled to have a solo career until his music was performed by Linda Ronstadt, beginning in 1976 with her album Hasten Down the Wind. This launched a cult following that lasted for 25 years, with Zevon making occasional returns to album and single charts until his death from cancer in 2003. He briefly found a new audience in the 1980s by teaming up with members of R.E.M. in the blues rock outfit Hindu Love Gods.
Known for his dry wit and acerbic lyrics, he was a guest numerous times on Late Night with David Letterman and the Late Show with David Letterman.
Zevon was born in Chicago, Illinois, the son of Beverly Cope (née Simmons) and William Zevon. His father was a Jewish immigrant from Russia, whose original surname was Zivotovsky. William Zevon worked as a bookie who handled volume bets and dice games for the notorious Los Angeles mobster Mickey Cohen. He worked for years in the Cohen crime family, in which he was known as Stumpy Zevon, and was best man at Cohen's first wedding. Warren's mother was from a Mormon family and was of English descent. They moved to Fresno, California. By the age of 13, Zevon was an occasional visitor to the home of Igor Stravinsky, where he briefly studied modern classical music alongside Robert Craft. Zevon's parents divorced when he was 16 years old. He soon quit high school and moved from Los Angeles to New York City to become a folk singer.
Zevon turned to a musical career early, forming a musical duo with his high school friend, Violet Santangelo, called lyme and cybelle. He spent time as a session musician and jingle composer. He wrote several songs for his White Whale labelmates The Turtles ("Like the Seasons" and "Outside Chance"), though his participation in their recording is unknown. Another early composition ("She Quit Me") was included in the soundtrack for the film Midnight Cowboy (1969); to suit its place in the film, the song was re-recorded by Leslie Miller as "He Quit Me". Zevon's first attempt at a solo album, Wanted Dead or Alive (1969), was produced by 1960s cult figure Kim Fowley but did not sell well.
During the early 1970s, Zevon toured regularly with the Everly Brothers as keyboard player, band leader, and musical coordinator. Later the same decade, he toured and recorded with Don Everly and Phil Everly separately, as they tried to launch solo careers after their breakup. His dissatisfaction with his career (and a lack of funds) led him to move to Spain in the summer of 1975, where he lived and played in the Dubliner Bar, a small tavern in Sitges, near Barcelona, owned by David Lindell, a former mercenary. Together they composed "Roland the Headless Thompson Gunner".
By September 1975, Zevon had returned to Los Angeles, where he roomed with Stevie Nicks and Lindsey Buckingham, who had by now gained fame as members of Fleetwood Mac. There he collaborated with Jackson Browne, who produced and promoted Zevon's self-titled major-label debut in 1976. Contributors to the album included Nicks, Buckingham, Mick Fleetwood, John McVie, members of the Eagles, Carl Wilson, Linda Ronstadt, and Bonnie Raitt. Ronstadt elected to record many of his songs, including "Hasten Down the Wind", "Carmelita", "Poor Poor Pitiful Me", and "Mohammed's Radio". Zevon's first tour, in 1977, included guest appearances in the middle of Jackson Browne concerts, one of which is documented on a widely circulated bootleg recording of a Dutch radio program under the title The Offender Meets the Pretender.
Produced by Browne, Warren Zevon (1976) was his first album to chart in the United States, peaking at No. 189. The first edition of the Rolling Stone Record Guide (published in 1979) called it "a masterpiece". The guide's latest edition (November 2004) calls it Zevon's most realized work. Representative tracks include the junkie's lament "Carmelita"; the Copland-esque outlaw ballad "Frank and Jesse James"; "The French Inhaler", a scathing look at life and lust in the L.A. music business (which was, in fact, about his long-time girlfriend and mother of his son, Jordan); and "Desperados Under the Eaves", a chronicle of Zevon's increasing alcoholism.
In 1978, Zevon released Excitable Boy (produced by Jackson Browne and guitarist Waddy Wachtel) to critical acclaim and popular success. The title tune is about a juvenile sociopath's murderous prom night and referred to "Little Susie", the heroine of his former employer the Everly Brothers's song "Wake Up Little Susie", while songs such as "Roland the Headless Thompson Gunner" and "Lawyers, Guns and Money" used deadpan humor to wed geopolitical subtexts to hard-boiled narratives. Tracks from this album received heavy FM airplay, and the single release "Werewolves of London", which featured Mick Fleetwood and John McVie, was a relatively lighthearted version of Zevon's signature macabre outlook and a No. 21 success.
Critic Dave Marsh, in The Rolling Stone Record Guide (1979), called Zevon "one of the toughest rockers ever to come out of Southern California".:427Rolling Stone record reviews editor Paul Nelson called the album "one of the most significant releases of the 1970s" and placed Zevon alongside Neil Young, Jackson Browne, and Bruce Springsteen as the four most important new artists to emerge in the decade. On May 11, 1980, Zevon and Willie Nile appeared on the King Biscuit Flower Hour.
Zevon followed Excitable Boy with Bad Luck Streak in Dancing School, in 1980. This album was dedicated to Ken Millar, better known under his nom-de-plume as the detective novelist Ross Macdonald. One of Zevon's literary heroes, Millar met the singer for the first time while participating in an intervention organized by Nelson, which helped Zevon temporarily curtail his addictions. Featuring a modest hit with the single "A Certain Girl" (Zevon's cover of an RandB record by Ernie K-Doe) which reached No. 57 on the Billboard Hot 100 singles chart, the album sold briskly but was uneven, and represented a decline rather than commercial and critical consistency. It contained a collaboration with Bruce Springsteen on the song "Jeannie Needs a Shooter" and the ballad "Empty-Handed Heart" featuring a descant sung by Linda Ronstadt, which dealt with Zevon's divorce from his wife, Crystal, the mother of his daughter Ariel; she has been erroneously described in some sources as his "second wife". (Marilyn "Tule" Livingston, the mother of his son, Jordan, and Zevon were in a long-term relationship but never married.) Later in 1980, he released the live album Stand in the Fire (dedicated to Martin Scorsese), recorded over five nights at the Roxy Theatre in Los Angeles.
Zevon's 1982 release, The Envoy, returned to the high standard of Excitable Boy but was not a commercial success. It was an eclectic but characteristic set that included such compositions as "Ain't That Pretty at All", "Charlie's Medicine" and "Jesus Mentioned", the first of Zevon's two musical reactions to the death of Elvis Presley; the other is the song "Porcelain Monkey" on Life'll Kill Ya in 2000. The album also contains the first of Zevon's writing collaborations with respected writers of fiction: "The Overdraft", co-written with Thomas McGuane. The title track was dedicated to Philip Habib, U.S. special envoy to the Middle East during the early 1980s. In the liner notes for the 1996 anthology I'll Sleep When I'm Dead, Zevon stated that after the song came out, Habib sent him "a very nice letter of appreciation on State Department stationery". The lyrics of another track, "The Hula Hula Boys", were excerpted in Hunter S. Thompson's 1983 book, The Curse of Lono.
In 1983, the recently divorced Zevon became engaged to Philadelphia disc jockey Anita Gevinson and moved to the East Coast. After the disappointing reception for The Envoy, Zevon's distributor, Asylum Records, ended their business relationship, which Zevon discovered only when he read about it in the "Random Notes" column of Rolling Stone. The trauma allegedly caused him to relapse into serious alcoholism and drug abuse. In 1984, he voluntarily checked himself into an unnamed rehab clinic in Minnesota. His relationship with Gevinson ended shortly thereafter. Zevon retreated from the music business for several years, except for playing live solo shows, a period of time during which he finally overcame severe alcohol and drug addictions.
During this period, Zevon collaborated with Bill Berry, Peter Buck and Mike Mills (of R.E.M.), along with backup vocalist Bryan Cook to form a minor project called Hindu Love Gods. The group released the non-charting single "Narrator" for IRS Records in 1984, then went into abeyance for several years.
Berry, Buck and Mills served as the core of Zevon's next studio band when he re-emerged in 1987 by signing with Virgin Records and recording the album Sentimental Hygiene. The release, hailed as his best since Excitable Boy, featured a thicker rock sound and taut, often humorous songs like "Detox Mansion", "Bad Karma" (which featured R.E.M. lead singer Michael Stipe on backup vocals), and "Reconsider Me". Included were contributions from Neil Young, Bob Dylan, Flea, Brian Setzer, and George Clinton, as well as Berry, Buck, and Mills. Also on hand were Zevon's longtime collaborators Jorge Calderón and Waddy Wachtel.
During the Sentimental Hygiene sessions, Zevon also participated in an all-night jam session with Berry, Buck and Mills, as they worked their way through rock and blues numbers by the likes of Bo Diddley, Muddy Waters, Robert Johnson and Prince. Though the sessions were not initially intended for release, they eventually saw the light of day as a Hindu Love Gods album.
The immediate follow-up to Sentimental Hygiene was 1989's Transverse City, a futuristic concept album inspired by Zevon's interest in the work of cyberpunk science fiction author William Gibson. It featured guests including Little Feat drummer Richie Hayward, Jefferson Airplane and Hot Tuna bassist Jack Casady, noted jazz keyboardist Chick Corea and various guitarists, including Wachtel, David Lindley, Jerry Garcia, Jorma Kaukonen, David Gilmour and Neil Young. Key tracks include the title song, "Splendid Isolation", "Run Straight Down" (which had a promotional video that featured Zevon singing in a factory while Gilmour played guitar solos), and "They Moved the Moon" (one of Zevon's eerier ballads).
Transverse City was a commercial disappointment, and Zevon was dropped by Virgin Records soon after the album's release. Zevon, however, contracted almost immediately with Irving Azoff's new label Giant Records, and the first issue under Zevon's contract with his new distributor was the album Hindu Love Gods, recorded during the Sentimental Hygiene sessions. The album included a cover of Prince's "Raspberry Beret", which became a number 23 Modern Rock hit in the United States.
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