Mamie Van Doren Informations

Mamie Van Doren (born Joan Lucille Olander; February 6, 1931) is an American actress, model, singer, and sex symbol. She is perhaps best remembered for the rock 'n' roll, juvenile delinquency exploitation movie Untamed Youth (1957), and other films of this calibre.

Van Doren was born on February 6, 1931, in Rowena, South Dakota, the daughter of Warner Carl Olander (1908 – 1992) and Lucille Harriet Bennett (1912 – 1995). She is of three-quarters Swedish ancestry; the remainder is mixed English and German. In 1939, the family moved to Sioux City, Iowa and then to Los Angeles during May 1942.

In early 1946, Van Doren began working as an usher at the Pantages Theatre in Hollywood. The following year, she had a bit part on an early television series. She also sang with Ted Fio Rito's band and entered several beauty contests. Van Doren was married for a brief time at 17 when she and her first husband, Jack Newman, eloped to Santa Barbara. The marriage was dissolved quickly because of his abusive nature. In the summer of 1949, at age 18, she won the titles "Miss Eight Ball" and "Miss Palm Springs". She was engaged to heavyweight boxing champion Jack Dempsey, but broke off the engagement upon signing a contract with Universal Studios.

Producer Howard Hughes discovered Van Doren when she was crowned Miss Palm Springs. The pair dated for several years. Hughes launched her career by placing her in several RKO films.

Hughes provided Van Doren with a bit part in Jet Pilot at RKO Radio Pictures, which was her film debut. Her line of dialogue consisted of one word, "Look!" and she appears uncredited in the film. Though production of the movie was from 1949 to 1953 (delays by Hughes), it was not released until 1957. The following year, 1951, she posed for famous pin-up girl artist Alberto Vargas, the painter of the glamorous "Vargas Girls".

Van Doren did a few more bit parts in movies at RKO, including His Kind of Woman (1951) starring Robert Mitchum, Jane Russell and Vincent Price. About her appearance in that one, Van Doren has said, "If you blinked you would miss me. I look barely old enough to drive."

Van Doren then began working on the stage. She was a showgirl in New York City in Monte Proser's nightclub version of Billion Dollar Baby. Songwriter Jimmy McHugh discovered her for his musicals, then decided she was too good for the chorus line and should have dramatic training. She studied with Ben Bard and Bliss-Hayden. While appearing in the role of Marie in a showcase production of Come Back, Little Sheba, Van Doren was seen by Phil Benjamin, a casting director at Universal International.

On January 20, 1953, Van Doren signed a contract with Universal Studios. They had big plans for her, hoping she would bring the same kind of success that 20th Century Fox had with Marilyn Monroe. Van Doren, whose signing day coincided with the inauguration of President Eisenhower, was given the first name Mamie for Ike's wife, Mamie Eisenhower. Other Van Dorens, who were unrelated to Mamie, were a prominent and noted family of American intellectuals; these Van Dorens included two Pulitzer Prize winning brothers, Carl (biographer) and Mark (poet), and Mark's wife Dorothy, an academic and historian. Mark and Dorothy's son, Charles Van Doren, made front-page news both by winning $129,000 on a television game show in 1957, then admitting in 1959 that the program was rigged. The publicity generated by this scandal kept the 'Van Doren' name in the newspapers and tabloids.

Universal first cast Van Doren in a minor role as a singer in Forbidden, starring Tony Curtis. Interested in Van Doren's allure, Universal then cast her in The All American (1953), (also starring Tony Curtis), playing her first major role as Susie Ward, a wayward girl who is the man-trap at a campus beer joint. In Yankee Pasha (1954), starring Jeff Chandler and Rhonda Fleming, she played a slave girl, Lilith, in a supporting role. In 1955, she had a supporting role in the musical Ain't Misbehavin' and starred in the crime-drama Running Wild. Soon thereafter, Van Doren turned down a Broadway role in the play Will Success Spoil Rock Hunter? and was replaced by newcomer Jayne Mansfield.

In 1956, Van Doren appeared opposite a young and unknown (at the time) Clint Eastwood in the Western Star in the Dust. Though Van Doren garnered prominent billing alongside John Agar and Richard Boone, she appears rather briefly, as the daughter of a ranch owner. By this time, Van Doren had grown tired of Universal, which was only casting her in non-breakthrough roles. Therefore, Van Doren began accepting bigger and better roles in better movies from other studios.

Van Doren went to star in several bad girl movies that later became cult films. She also appeared in some of the first movies to feature rock 'n' roll music and became identified with this rebellious style, and she made some rock records. One of her rock 'n' roll films, Untamed Youth, was later featured in the 1990 Mystery Science Theater 3000 episode "Untamed Youth".

Some of Van Doren's more noteworthy movies include Teacher's Pet (1958) at Paramount Pictures, Born Reckless (1958) at Warner Brothers, High School Confidential (1958), and The Beat Generation (1959), the latter two at Metro-Goldwyn-Mayer. But Van Doren was just as well known for her provocative roles. She was in prison for Girls Town (1959), which provoked censors with a shower scene where audiences could see Van Doren's naked back. As Eve in The Private Lives of Adam and Eve (1960) she wore only fig leaves, and in other films, like The Beautiful Legs of Sabrina (1959), Sex Kittens Go to College (1960), and Vice Raid (1960) audiences were clued in as to the nature of the films from the titles.

Many of Van Doren's film roles showcased her ample curves, and her onscreen wardrobe usually consisted of tight sweaters, low-cut blouses, form-fitting dresses, and daring (for the era) swimsuits, but she and such other blonde bombshell contemporaries as Jayne Mansfield, Cleo Moore, Sheree North, Anita Ekberg, Barbara Lang, Joi Lansing, Greta Thyssen, and Barbara Nichols did not attain the same level of superstar status as Marilyn Monroe. Marilyn, Mamie, and Mansfield were known as "The Three M's". But by comparison, where Monroe succeeded in Gentlemen Prefer Blondes and Mansfield had big success replacing Van Doren in Will Success Spoil Rock Hunter?, Universal stuck Van Doren with Francis the Talking Mule in Francis Joins the WACS (1954).

After Universal Studios chose not to renew her contract in 1959, Van Doren was then a free agent and had to struggle to find work. Some of her later movies were foreign and independent productions, which would do little to keep her image in the public's eye. Many of the productions were low-budget B movies with some having gained a cult following for their high camp value.

The first of these later films was Sex Kittens Go to College (1960), which co-starred Tuesday Weld. Following the completion of the Argentine film The Blonde from Buenos Aires (1961), Van Doren took time off from her career. She came back to the screen in The Candidate (1964), which was soon followed by Freddy in the Wild West, both of which were low-budget films that left little impact. In 1964, Tommy Noonan convinced Van Doren to appear in 3 Nuts in Search of a Bolt. Van Doren had turned down Noonan's previous offer to star opposite Jayne Mansfield in Promises! Promises!, and was replaced with Marie McDonald. In 3 Nuts in Search of a Bolt, Mamie did a beer-bath scene but is not seen nude. She posed for Playboy to promote the film.

Van Doren next appeared in The Las Vegas Hillbillys (1966) released by Woolner Brothers. This film co-starred Mansfield; this was the only time two of "The Three M's" appeared together in a film. A sequel was titled Hillbillys in a Haunted House, but Van Doren turned this role down, and was replaced by Joi Lansing. She then appeared in The Navy vs. the Night Monsters (1966), a science fiction film. In 1967, she appeared in You've Got to Be Smart, and starred in another sci-fi film, Voyage to the Planet of Prehistoric Women (1968), the following year, directed by Peter Bogdanovich. This film featured a completely unknown cast other than Van Doren. In 1968, she was offered the role of a murder victim in the independent horror film The Ice House as a replacement for Mansfield, who died the previous year. However, she turned the offer down and was replaced by Sabrina.

Van Doren also developed a nightclub act and did live theater. She performed in stage productions of Gentlemen Prefer Blondes and Dames at Sea at the Drury Lane Theater, Chicago, and appeared in Will Success Spoil Rock Hunter? and The Tender Trap at the Arlington Park Theater. In the 1970s, Van Doren performed a nightclub act in Las Vegas as well.

In 1970, Van Doren had a supporting role in The Arizona Kid. Since then, Van Doren has appeared only in cameo appearances in low-budgeted films. To this date, Van Doren's last film appearance was a role in the direct-to-video drama The American Tetralogy (2013).

Van Doren's guest appearances on television include Jukebox Jury, What's My Line, The Bob Cummings Show, The Jack Benny Show, Fantasy Island, Burke's Law, Vega$ and L.A. Law.

Van Doren released her autobiography, Playing the Field (1987), which brought much new attention and proved to be her biggest media splash in over 25 years. Since the book's publication, she has often been interviewed and profiled and has occasionally returned to acting. She has consistently denied in interviews ever having breast implants. In 2006, Mamie posed for photographs for Vanity Fair with Pamela Anderson as part of its annual Hollywood issue.

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