Billie Holiday Informations

Eleanora Fagan (April 7, 1915 – July 17, 1959), better known as Billie Holiday, was an African American jazz singer with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.

After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems.

Though she was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall, Holiday's bad health, coupled with a string of abusive relationships and ongoing drug and alcohol abuse, caused her voice to wither.[dubious – discuss] Her final recordings were met with mixed reaction, owing to her damaged[dubious – discuss] voice, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis on July 17, 1959.

She won four Grammy Awards, all of them posthumously, for Best Historical Album. She was inducted into the Grammy Hall of Fame in 1973. Lady Sings the Blues, a film about her life, starring Diana Ross, was released in 1972. She is the primary character in the play (later made into a film) Lady Day at Emerson's Bar and Grill; the role was originated by Reenie Upchurch in 1986, and was played by Audra McDonald on Broadway and in the film. In 2017 Holiday was inducted into the National Rhythm and Blues Hall of Fame.

Eleanora Fagan was born on April 7, 1915, in Philadelphia, the daughter of unwed teenage couple Sarah Julia "Sadie" Fagan and Clarence Holiday. Sarah moved to Philadelphia aged 19, after she was evicted from her parents' home in the Sandtown-Winchester neighborhood of Baltimore, Maryland for becoming pregnant. With no support from her parents, she made arrangements with her older, married half-sister Eva Miller for Eleanora to stay with her in Baltimore. Not long after Eleanora was born, Clarence abandoned his family to pursue a career as a jazz banjo player and guitarist.

Growing up in Baltimore, Holiday had a difficult childhood. Her mother often took what were then known as "transportation jobs", serving on passenger railroads. Holiday was raised largely by Eva Miller's mother-in-law Martha Miller, and suffered from her mother's absences and being in others' care for her first decade of life. Holiday's autobiography, Lady Sings the Blues, first published in 1956, is sketchy on details of her early life, but much was confirmed by Stuart Nicholson in his 1995 biography of the singer.

Some historians have disputed Holiday's paternity, as a copy of her birth certificate in the Baltimore archives lists her father as "Frank DeViese." Other historians consider this an anomaly, probably inserted by a hospital or government worker. DeViese lived in Philadelphia, and Sadie Harris may have known him through her work. Sadie Harris, then known as Sadie Fagan, married Philip Gough, but the marriage ended in two years.

Eleanora was left with Martha Miller again while her mother took more transportation jobs. She frequently skipped school, and her truancy resulted in her being brought before the juvenile court on January 5, 1925, when she was nine years old. She was sent to the House of the Good Shepherd, a Catholic reform school, where she was baptized on March 19, 1925. After nine months in care, she was "paroled" on October 3, 1925, to her mother. She had opened a restaurant, the East Side Grill, and mother and daughter worked long hours there. By the age of 11, Holiday had dropped out of school.

On December 24, 1926, Sadie came home to discover a neighbor, Wilbur Rich, attempting to rape Eleanora. She successfully fought back, and Rich was arrested. Officials placed Eleanora in the House of the Good Shepherd under protective custody as a state witness in the rape case. Holiday was released in February 1927, when she was nearly twelve. She found a job running errands in a brothel, and she scrubbed marble steps and kitchen and bathroom floors of neighborhood homes. Around this time, she first heard the records of Louis Armstrong and Bessie Smith. By the end of 1928, Holiday's mother moved to Harlem, New York, again leaving Eleanora with Martha Miller.

By early 1929, Holiday had joined her mother in Harlem. Their landlady was a sharply-dressed woman named Florence Williams, who ran a brothel at 151 West 140th Street. Holiday's mother became a prostitute, and within a matter of days of arriving in New York, Holiday, not yet 14, became a victim of sexual trafficking at $5 a client. The house was raided on May 2, 1929, and Holiday and her mother were sent to prison. After spending time in a workhouse, her mother was released in July, and Holiday was released in October.

As a young teenager, Holiday started singing in nightclubs in Harlem. She took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father. At the outset of her career, she spelled her last name "Halliday", her father's birth surname, but eventually changed it to "Holiday", his performing name. The young singer teamed up with a neighbor, tenor saxophone player Kenneth Hollan. They were a team from 1929 to 1931, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club.Benny Goodman recalled hearing Holiday in 1931 at the Bright Spot. As her reputation grew, she played in many clubs, including Mexico's and the Alhambra Bar and Grill, where she met Charles Linton, a vocalist who later worked with Chick Webb. It was also during this period that she connected with her father, who was playing in Fletcher Henderson's band.

Late in 1932, 17-year-old Holiday replaced the singer Monette Moore at Covan's, a club on West 132nd Street. Producer John Hammond, who loved Moore's singing and had come to hear her, first heard Holiday there in early 1933. Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933, with Benny Goodman. She recorded two songs: "Your Mother's Son-in-Law" and "Riffin' the Scotch", the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch", released on November 11, sold 5,000 copies. Hammond was impressed by Holiday's singing style and said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.

In 1935, Holiday had a small role as a woman abused by her lover in Duke Ellington's musical short film Symphony in Black: A Rhapsody of Negro Life. She sang "Saddest Tale" in her scene.

Also in 1935, Holiday was signed to Brunswick by John Hammond to record pop tunes with pianist Teddy Wilson in the swing style for the growing jukebox trade. They were allowed to improvise the material. Holiday's improvisation of melody to fit the emotion was revolutionary. Their first collaboration included "What a Little Moonlight Can Do" and "Miss Brown to You". "What a Little Moonlight Can Do" has been deemed her "claim to fame". Brunswick did not favor the recording session because producers wanted Holiday to sound more like Cleo Brown. However, after "What a Little Moonlight Can Do" was successful, the company began considering Holiday an artist in her own right. She began recording under her own name a year later for Vocalion in sessions produced by Hammond and Bernie Hanighen. Wilson and Holiday took pop tunes such as "Twenty-Four Hours a Day" and "Yankee Doodle Never Went to Town" and turned them into jazz classics.

Another frequent accompanist was tenor saxophonist Lester Young, who had been a boarder at her mother's house in 1934 and with whom Holiday had a rapport. Young said, "I think you can hear that on some of the old records, you know. Some time I'd sit down and listen to 'em myself, and it sound like two of the same voices ... or the same mind, or something like that." Young nicknamed her "Lady Day", and she called him "Prez".

Hammond said the Wilson-Holiday records from 1935 to 1938 were a great asset to Brunswick. According to Hammond, Brunswick was broke and unable to record many jazz tunes. Wilson, Holiday, Young, and other musicians came into the studio without written arrangements, reducing the recording cost. Brunswick paid Holiday a flat fee rather than royalties, which saved the company money. "I Cried for You" sold 15,000 copies, which Hammond called "a giant hit for Brunswick.... Most records that made money sold around three to four thousand."

In late 1937, Holiday had a brief stint as a big-band vocalist with Count Basie. The traveling conditions of the band were often poor; they performed many one-nighters in clubs, moving from city to city with little stability. Holiday chose the songs she sang and had a hand in the arrangements, choosing to portray her developing persona of a woman unlucky in love. Her tunes included "I Must Have That Man", "Travelin' All Alone", "I Can't Get Started", and "Summertime", a hit for Holiday in 1936, originating in George Gershwin's Porgy and Bess the year before. Basie became used to Holiday's heavy involvement in the band. He said, "When she rehearsed with the band, it was really just a matter of getting her tunes like she wanted them, because she knew how she wanted to sound and you couldn't tell her what to do."

Holiday found herself in direct competition with the popular singer Ella Fitzgerald. The two later became friends. Fitzgerald was the vocalist for the Chick Webb Band, which was in competition with the Basie band. On January 16, 1938, the same day that Benny Goodman performed his legendary Carnegie Hall jazz concert, the Basie and Webb bands had a battle at the Savoy Ballroom. Webb and Fitzgerald were declared winners by Metronome magazine, while DownBeat magazine pronounced Holiday and Basie the winners. Fitzgerald won a straw poll of the audience by a three-to-one margin.

Some of the songs Holiday performed with Basie were recorded. "I Can't Get Started", "They Can't Take That Away from Me", and "Swing It Brother Swing" are all commercially available. Holiday was unable to record in the studio with Basie, but she included many of his musicians in her recording sessions with Teddy Wilson.

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